In 1979 Robert Altman made a bomb of a film, Quintet, starring Paul Newman (that’s an edit — for some reason I originally wrote “Robert Redford”, probably because they both remind me of my father somehow) and a number of good (even great) European actors like Vittorio Gassman (The Nude Bomb not, maybe, his best) and Brigitte Fossey.
Like anything by Altman it’s at least interesting. The cinematography is weirdly voyeuristic with every frame vignetted with a blur like looking through a window rimed with ice. The sets were all highly refrigerated, so there’s a constant fog from the actors’ breath. This suits the setting — we’re in a post-apocalyptic world now deep in a nuclear winter and the ice and snow are constants. Technology is gone, we’re down to knives and spears and, well, explosives. Wood is expensive and don’t get the stuff that’s been pulled from the poisoned buildings — it’s been “treated” and creates a toxic fume.
The film has a strange Logan’s Run vibe, but more serious and more complex. But not more fun — it’s convoluted and medieval and cold and weird and slow. And gory (it got 18+ classifications all over the place for the violence and severed limbs). Lots of dogs eating people. It’s not clear why no one eats the dogs.
Anyway, the reason this film is especially interesting given the context of this blog — games — is that it centers around a board game called Quintet. And Altman and the crew developed the rules for this game and it works. If you were lucky enough (or unlucky given what a bomb the film was) to see an early screening, you got a pamphlet with the rules. Yup now you have a copy too.
Quintet is interesting because there’s a sort of referee — there are five players and the so-called “sixth man” who determines the allowed killing order of the players. You can only kill the person clockwise from you on the killing circle which the sixth player arranges. The objective of this “sixth man” is to arrange the killing order such that the weakest player is left to play in the endgame. Only then do their pieces come out.
Play happens on a pentagonal board with a center space, a limbo space in each “sector” of the pentagon, and five “rooms” at the edge of each sector. In the initial move you throw two dice and move each piece to a room in your sector, six being limbo, as called for by the dice.
Thereafter you move a piece the sum of both your dice or use each die separately, moving clockwise or counter as you choose. Your objective is to share a room with your victim, killing that piece. If you kill both their pieces they are out of the game and the killing circle closes up: you have a new victim.
If you share a room with someone who isn’t your victim you are allied — no one can enter the room and kill either of you. But the killing order could change….
Now there are a couple of rules missing from the pamphlet. I’ll try to derive them from the film or make up a good guess.
If you roll a six you may enter the Limbo section of the sector you’re in. That’s in the rules. You have to leave on your next roll. But there are two ways this could work: you could use any die to enter any room in the sector and count starting there or you could enter the appropriately numbered room. The first makes a move out of limbo very powerful. The second presents the possibility that you could wind up back in limbo. Maybe in the next sector? Both are interesting.
EDIT: the film does indeed give a clue how to resolve this when Fernando Rey’s character says “it’s like spending the whole game in limbo, throwing an infinite series of sixes”. So it seems you enter the numbered room from limbo, staying there if you roll a six. Or maybe you enter anywhere and count off unless you roll a six. Clues but no real evidence.
The pamphlet doesn’t say how the sixth player enters the board in the endgame but there is a scene (when Essex plays Ambrosia for the first time) where this happens: the sixth player enters into the survivor’s home sector. We know this because Ambrosia calls Essex foolish for making his last kill in his home sector, giving Ambrosia a possible first-roll kill.
Are there other rules missing? I find this document poorly structured to teach the game but after multiple readings I think I have a handle on it. Has anyone out there played?
brad j. murray 